May 14, 2009

Themes; ARMS AND THE MAN

Romanticism of War


In line after line, Shaw satirizes the romantic notions about war that glorify a grisly business. If not for the comic dialogue, the audience would more easily recognize that they are being presented with a soldier who has escaped from a horrific battle after three days of being under fire. He is exhausted, starving, and being pursued. Such is the experience of a real soldier. Late in the play, Shaw throws in a gruesome report on the death of the man who told Bluntschli's secret about staying in Raina's bedroom; there is nothing comic or heroic about being shot in the hip and then burned to death. When Raina expresses horror at such a death, Sergius adds, "And how ridiculous! Oh, war! War! The dream of patriots and heroes! A fraud, Bluntschli, a hollow sham." This kind of description caused Shaw's critics to accuse him of baseness, of trying to destroy the heroic concept. That a soldier would prefer food to cartridges in his belt was considered ludicrous by critics, but in the introduction to Plays: Pleasant and Unpleasant, Shaw was reported to have said that all he had to do was introduce any doubters to the first six real soldiers they came across, and his stage soldier would prove authentic.


It is also noteworthy that Catherine is dissatisfied with a peace treaty because, in her unrealistic vision of glorious war, there is supposed to be a crushing rout of the enemy followed by celebrations of a heroic victory. Shaw's message here is that there can be peaceful alternatives to perpetual fighting. He was dedicated throughout his life to curbing violence, especially that of wars, and Arms and the Man was one of the vehicles he used to plead his case.


Romanticism of Love

Shaw was a master flirt and he enjoyed the playful farce of romantic intrigues. But he recognized that playing a game differed from serious love, and he tried to convey as much in Arms and the Man, which is subtitled "An Anti-Romantic Comedy." In the play, Raina and Sergius have paired themselves for all the wrong reasons: because their social status requires a mate from the same social level; and because Sergius plays the role of the type of hero that Raina has been taught to admire, and Raina plays the role that Sergius expects from a woman of her station. The problem is that neither is portraying his/her real self, so their love is based on outward appearances, not on the true person beneath the facade. They are both acting out a romance according to their idealized standards for courtship rather than according to their innermost feelings. Just as the cheerleader is expected to fall for the star quarterback, Raina has fallen for her brave army officer who looks handsome in his uniform. When Bluntschli and Louka force Raina and Sergius to examine their true feelings, Raina and Sergius discover that they have the courage and desire to follow their hearts instead of seeking to meet social expectations.


Class Discrimination

As a socialist, Shaw believed in the equality of all people and he abhorred discrimination based on gender or social class. These beliefs are evident in the relationships portrayed in Arms and the Man. Shaw allows a maid to succeed in her ambitions to better herself by marrying Sergius, an officer and a gentleman. This match also means that Sergius has developed the courage to free himself from the expectations of his class and instead marry the woman he loves. The silliness of Catherine's character is used to show the illogical nature of class snobbery, as she clearly makes divisions between her family and the servants, even though, or perhaps because, the Petkoffs themselves have only recently climbed the social ladder. The play also attacks divisions of rank, as Captain Bluntschli has leadership abilities that the superior-ranking officers, Majors Petkoff and Saranoff, do not have, illustrating the fact that ability has little to do with rank. Ability also has little to do with class, as exemplified by the character of Nicola, who is declared the ablest, and certainly the wiliest, character in the play.


Idealism Versus Realism

Arms and the Man illustrates the conflict between idealism and realism. The romantic ideal of war as a glorious opportunity for a man to display courage and honor is dispelled when Sergius admits that his heroic cavalry charge that won the battle was the wrong thing to do. His notable action does not get him his promotion and Sergius learns that "Soldiering, my dear madam, is the coward's art of attacking mercilessly when you are strong, and keeping out of harm's way when you are weak."


Sergius and Raina must face the fact that their ideals about love are false. Fortunately, both of them are actually released by this knowledge to pursue their true loves. But first, Sergius goes through a period of despair in which he questions whether life is futile if the ideals by which he has set his standards of conduct fail to hold up when exposed to reality. This question is an underlying current throughout the play. Shaw gives a happy resolution, but it is a serious question that most people must face in life.


Much is made of Bluntschli's realism — i.e., keeping chocolates instead of ammunition in his cartridge belt, showing contempt for sentimentality, and reacting in a practical manner to his father's death. However, Nicola is the consummate realist in the play. Nicola's message is: adapt, exploit, survive. Bluntschli proves to have a romantic side, after all, and thus is the most balanced character in the play in that he seems to know when to temper his romanticism with realism and when to

stick to his ideals.



Topics for Further Study

  • Shaw greatly admired the artist and socialist William Morris. Write a brief biography that identifies Morris and his legacy.

  • The title of Arms and the Man comes from the opening line of Virgil's epic poem "The Aeneid." Write a summary of this poem and contrast its message to that of Shaw's play.

  • Shaw identified himself as a socialist and he helped to organize the Fabian Society. What is the Fabian Society, what were its goals, and what were some of the works that Shaw wrote while a Fabian?

  • Arms and the Man was set during a war in the Balkans between the Bulgarians and the Serbians. The Serbians were recently again involved in a war that resulted in international intervention. Trace and report on the history of the various Balkan conflicts from the late 1800s to the present day, including the Serbian involvement in the start of World War I.

  • Shaw is credited with initiating the "theater of ideas." What does this term mean? How were Shaw's plays different from most theater during the Victorian era and what was Shaw's impact on the theater world?


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